Showing posts with label Disney. Show all posts
Showing posts with label Disney. Show all posts

Sunday, January 20, 2013

It's a Small World -- Cat Clips #237

Need Content for Your Blog Today? Feel Free to Embed Any of These Videos Into Your Own Blogs! 

Thursday, November 19, 2009

Cat Clips--Fashion or Famine

Please click on the photo above to watch the next installment in the "Cat Clips" series. In this episode, Tipi introduces a new line of "Cat Clips" t-shirts and buttons, while Honey complains about her constant cravings.

Monday, November 16, 2009

Cat Clips--Time Traveler Tuck

Please click on the photo above to watch the next episode in the "Cat Clips" series called "Time Traveler Tuck." In this episode, Tuck discovers that the new litter box provides an exciting mode of transportation. Or does he?

Wednesday, November 11, 2009

Cat Clips--Kittens of the Caribbean

Please click on the photo above to watch the next episode in the "Cat Clips" series. In this episode, Tipi and Tuck disagree over who gets to play what role in their playdate presentation of "Kittens of the Caribbean."

Tuesday, June 2, 2009

The Soaring Brilliance of "Up"

Last Friday night I went to see the new Disney/Pixar movie “Up,” and after the first ten minutes I’d already decided this film was an animated masterpiece. I won’t give anything away, but the first ten minutes is a little movie all in itself, and can only be described as one of the most touching animated sequences I’ve ever seen. I am still choked up just thinking about it, and I dare anyone not to feel the same.

Okay, moving on. The screening I saw was in 3D, which was pretty cool, although after a while you completely forget about it. (Unless, of course, you find the special glasses particularly uncomfortable.) The theater was packed with adults and kids and lots of teenagers. I was actually surprised at how many packs of teenage boys came together to see this film. When I was a kid, teenage boys would not be caught dead at a Disney film, but I guess Pixar has more of a “cool factor.”

I guess what I liked most about “Up” is how involved I got with the characters, and how much it mattered to me that they succeeded in their quest. I think this movie taps into a lot of emotional and thought-provoking ideas, and I applaud the creators at Pixar for making such a beautiful piece of art.

But that’s just me. What did you think of “Up”?

Monday, July 14, 2008

Bird Bits--Snow Blue

In the spirit of the recent posts about Disney, here is a special "Bird Bits" episode entitled "Snow Blue" that parodies the famous Wishing Well scene from Walt Disney's "Snow White." To watch the video, please click on the photo above. Hope you enjoy!

Friday, July 11, 2008

Meditating on Mysteries of the Mouse

A few weeks ago I wrote a blog posting about my favorite animated films…or rather, about my inability to pick any favorites for fear of offending the other films. (Ridiculous, I know, but such was my dilemma.) After the posting, I got a very nice e-mail from Ken of Ken Armstrong Writing Stuff, who asked me to tell him one thing he should see in Disney World that most people might miss. Never one to walk away from a challenge (Right Roxy?), I immediately sat down at my keyboard to pour out all my acquired knowledge about “the World” and all the special “secrets” that Ken might enjoy on his next visit.

And that’s when it hit me. What in the world was I going to say that hasn’t been said before? What fascinating revelation could I bestow on him that would make me seem like the Disney Connoisseur I proudly claim to be? Would I mention the talking water fountains in Epcot, where a tiny voice yells “Let me out of here,” or the magical experience you might enjoy while dining with royalty at the top of Cinderella’s Castle? Or what about all the fun events and seasonal celebrations that populate “the World” during the winter holidays? There were just too many things to include, and yet none of them seemed to hit me as that special tidbit that would make Ken think I knew what I was talking about.

Again, I had a dilemma. Because even if I could put together a list of all my amazing discoveries, how would I ever narrow it down to just one? The single most important piece of insight that would forever prove how much I know about “the happiest place on earth.” Needless to say, the assignment made me anything but happy. In fact, while I was searching my brain trying to think of anything that would stand out as super special, I realized that I never looked at the various parks in Disney World as individual pieces of a whole. To me, the experience of being in “the World” is like stepping onto another planet. There is so much to do and so many wonderfully imaginative rides and venues to explore, that to dissect it like a frog would take away some of the magic. At least for me. (Or am I really being overly analytical here? After all, Ken asked a rather simple question. It’s me that’s blowing it up into some kind of badge of honor competition.)

So to make a long post even longer, I have decided to include some highlights of my various trips to Disney World that might be helpful to future visitors. Not all of these are public knowledge, but they might prove useful to someone who knows even less than me.

1. If you want to ride all the rides in a particular park, go early. Go even before the park opens, because they sometimes open earlier for guests who stay on the property. So if it says it opens at 8:30, be sure to be there by 8. It will give you a head start on all the activities you’re going to want to do. Traditionally, the parks don’t get crowded until about 11 or 12, and if you plan your visit properly, you can do most of the major attractions before then. This way, you will avoid most of the families with thirty children, or the incessant use of strollers and wheelchairs. Wheelchairs I understand. Strollers, however, are a public nuisance and a health hazard (especially when people barge them into you at twenty miles an hour) and should be eradicated immediately.

2. The park hopper pass is your best value, because you can go to more than one park on any given day. (Depending on which Park Hopper you purchase.) This allows you to go to the Magic Kingdom in the morning (when it’s less crowded), a water park in the afternoon, take a nap at your hotel, and then swing by MGM or Epcot for the late night fireworks display. Plus, if one park seems more crowded than another, you can spend your time on the road less traveled.

3. If you want to see the fireworks at the Magic Kingdom at night, and you want to avoid the crowds in the parking lot, here’s a little trick I learned. (But don’t tell anyone else.) The Contemporary Hotel is right next to the park entrance, so if you go there right before the fireworks start, and tell the guard at the gate you have a dinner reservation at one of the restaurants, they will let you park there without a pass. So you can drive to the area of the parking lot that is closet to the Magic Kingdom entrance and then walk over using the sidewalk Contemporary Guests use. In this way, you don’t have to park in the Magic Kingdom parking lot, which requires you to take a boat or monorail to the actual entrance of the park. And once the fireworks are over, you can walk right out the front gate, down the sidewalk and to your car in the Contemporary parking lot while everyone else fights to get in one of the boats or monorails before they even get near their car. (A little dishonest yes, but a definite time-saver and stress-reliever.)

4. If you can afford one expensive meal at Disney World, be sure to get a reservation at Victoria and Albert’s at the Grand Floridian Hotel and Resort. It is a very private dining room, with two or three waiters assigned to your table, and the food is out of this world. When you arrive, you have a personalized menu waiting for you at the table, complete with your name and a welcome message. The meal will set you back $100-200 per person, but it is definitely worth it for a high end dining experience.

5. A fun and free thing to do while at Disney World is to take some time to explore the Pop Century Resort. There are five or six hotel areas that make up this complex, and each one is themed to a certain genre---music, movies, sports, etc. My favorite is the Movies complex, because it has all these building size statues of Mowgli and Baloo, or Lady and the Tramp, or dozens of other Disney characters. You can even get your picture taken with Mr. and Mrs. Potato Head near the manmade lake. As I am an avid fan of Pop Culture, these resorts have always been a great opportunity to get some fun shots of my favorite entertainment icons.

6. The Tower of Terror ride at MGM is not to be missed. Scary, yes. But one of the best themed rides at any of the parks. From the very beginning to the very end, you are “trapped” in a tantalizing mix of horror and magic. And the elevator falls more than once…several times in fact…and not necessarily in the same sequence every time. Try this ride first thing in the morning, and you won’t need any morning coffee that day. It is an instant eye opener.

7. Christmas is the best time to be in the “World.” If you go in early December, you can avoid some of the crowds, which are at their heaviest during the week between Christmas and New Years. But the Osborne Family Festival of Lights at MGM, or the Candlelight Procession at Epcot, or the Giant Gingerbread House at the Grand Floridian, or any of a dozen other special events during this season make it a definite must at some point for any true Disney fanatic.

Now I could go on and on, but I think seven is enough. (Ken, your assignment is to figure out which tip/site above correlates with each of the seven dwarves.) Hopefully I’ve given a few helpful tips and some interesting sights to see. Maybe this isn’t exactly what Ken had in mind, but any time I am asked to pick just one thing, I immediately want the whole candy box.

But that’s just me. What is the “ONE THING” you’d like to share about your Disney World adventures?

Thursday, June 26, 2008

An Animated Essay on a Titillating Tag

For those of you who’ve read my blog in the past, you might remember that I am a huge fan of animated films. (With a special concentration on the Disney brand.) So when Matthew Urdan of Meltwater Torrents Meanderings Delta sent me a tag asking me to list my favorite animated films of all time, I was rather intrigued. Not intrigued enough to actually respond to the tag, mind you, but intrigued enough to write a blog entry about why I feel this tag is a particularly hard one for me. (Sorry, Matt, I know this wasn’t what you were expecting, but perhaps you’ll understand after I start pontificating.)

The truth is I love all animated films, even the earliest Betty Boop and Popeye cartoons. I appreciate all the time and energy that goes into pulling off such an amazingly labor-intensive achievement. And I marvel at all the creativity and imagination used to bring the story and characters to life. So to answer a question about my top ten favorite cartoons of all time is not only unfair, but also downright sadistic. What if I pick the wrong ten? What if, while assembling my list, I completely forget about one of my all time favorites? Say, Snow White, for instance. Then later, Snow finds out about my oversight and decides not to be friends with me anymore. And even worse, she forbids me from ever playing leapfrog with the Dwarves again, which as you all know is a favorite pastime of mine. Or what if Monsters, Inc. goes bankrupt because I did not include them on my list, and therefore they don’t have the full emotional support they need to survive? I even hesitate to think what Bambi’s mother might say if I don’t include her son as one of my favorites. It would just kill her!

But wait. That is not even the extent of Matt’s tumultuous tag…no, my dear readers, it gets much worse. For not only did he command me to list my top ten favorite animated films, but he also forced me to choose a character in each film that most resembles me. Horrors! Can you imagine the inner turmoil I’d be suffering while trying to work all that out? Not to mention the angst I’d endure wondering if anyone was making value judgments about me based on what characters I happen to identify with.

Or what if I couldn’t find a character, so I chose one at random, and then was stuck with that moniker for the rest of my life? (“Oh, he chose Ratatouille, so he must be a real rat.” Or “Do you think he chose Pinocchio because he’s a liar, or because he has appendages that grow to unusual sizes?”) And what if I identified with various aspects of a certain character, but not the whole person? Like, I had the independence of Belle, the vanity of Gaston, and the misunderstood personality of the Beast? Would people consider me schizophrenic?

No, I’m afraid this tag is much too difficult for someone as devoted an animated connoisseur as myself. I simply cannot compare one film to another. How can you compare the brilliance of the Evil Queen’s transfiguration into the Old Hag in the original full-length animated feature “Snow White,” with the technical wizardry of something like “The Incredibles” or “Toy Story.” You can’t. They are completely different animals. And yet I love and appreciate them both. As well as everything that came in between.

Well, with maybe one exception. “The Black Cauldron” was a definite low point in Disney animation, and temporarily turned me off to the genre for a period of time. Plus, I was in high school and animation was just not cool any more. Except maybe Saturday morning cartoons, which somehow passed as quality entertainment amongst the cool crowd. But once “The Little Mermaid” came along in the 90s, I was not only hooked again, but an even bigger fan than I was as a child.

To this day, I make my annual sojourn to the “homeland” every year (Disney World) and have my office completely covered in animated statues, posters, and figurines. It allows me to work in an environment that is happy and colorful and just a little bit “off.” Would it work for everyone? No. But for me, someone who grew up constantly escaping into the world of his imagination, my office is a colorful little retreat from the often-grey colors of the real world.

Plus, I wouldn’t want to cause any animosity among the figurines if I should choose a movie that represents some but not others. (The Queen of Hearts and Captain Hook statues can be particularly nasty when they want to be.) All I’d need is for a few of them to get a little jealous, start a feud, and the next thing you know I’m cleaning up huge piles of porcelain and resin off the floor. So to avoid that, I’m going to remain neutral like Switzerland on the topic.

But that’s just me. What are your top ten favorite animated films of all time, and what character would you identify with in each? (Go ahead, you try it….!!!!)

Saturday, June 7, 2008

Deer Droppings--Celebrity Obsession

Please click on the photo above to watch a short one-minute film from the "Deer Droppings" series called "Celebrity Obsession." The video is a song parody of "Supercalifragilistic..." from "Mary Poppins," lampooning America's obsession with celebrity.

Friday, April 18, 2008

Cat Clips--Cartoon Envy

Please click on the photo above to watch a short, humorous video about two cats watching the Disney movie, "The Aristocats."

Thursday, January 17, 2008

The Key to Kyle XY

How did a show about a boy without a belly button become so intriguing? And I don’t mean because the storylines always contain a nice blend of science fiction and soap opera. I’m intrigued because some of the topics are pretty risqué, especially given that it’s an ABC Family Channel show. For example, past episodes have included pretty frank discussions of teenage sex, pornography, infidelity, pot smoking, alcohol and drug abuse, cancer and even masturbation. Not the typical subject matter you’d expect to find in a Disney produced vehicle. But there it is nonetheless, cleverly mixed in with mystery and adventure, so you don’t notice as much.

Granted, these issues might not be new to network television, but they are somewhat new to family television. Except that ABC touts itself as “a different kind of family,” so I guess that means we don’t have to pretend we’re living in the 50s anymore. But does that also mean that Disney might try to instill this new kind of honesty into their other iconic stories? Imagine an updated version of “Cinderella” where the stepsisters complain about nothing but menstruation and cheating boyfriends. Or a modern day “Pinocchio” where the little wooden puppet is put in jail for executing indecent acts with his nose. And I shudder to think what might happen between Snow White and those seven little men.

Don’t get me wrong. I like this honest approach to such mature subject matter; I’m just surprised the producers haven’t gotten a lot of flack for doing it. Maybe it’s because the show is partly Science Fiction, so the conservative family organizations don’t give it much attention. They figure since there’s no such thing as a genetically created human being, there must also be no such thing as masturbation and drug abuse? Or maybe because Kyle has amazing powers and super-human intelligence, not to mention great eyes and a killer smile, they equate him with another immaculately conceived human being? (Oh come on, you don’t think there are some pretty heavy Jesus overtones in Kyle XY?)

At any rate, I like this show. The various members of Kyle’s extended family have grown on me; particularly the brother, who has matured into a good little actor. Some of the most poignant moments from last season were scenes when he and his “girlfriend” were going through the hardships of talking about her Cancer.

And then there’s Matt Dallas, who is unabashedly charming and innocent as Kyle. He was a good choice for this role, because there is something almost inhuman about him. His line readings are sometimes mechanical, and his facial expressions somewhat limited, but that only lends to his credibility as a manufactured object. Though, for the entire first season, I thought maybe he was wearing a wig because his hair always looked the same. Even in a windstorm, it had that “fresh-out-of-the-package-and-glued-to-the-head” kind of look. But in Season Three, it looks like he’s progressed beyond that style.

Too bad he can’t also progress beyond his annoying girlfriend, whose pouting and prissy personality is as bland as Tilapia. After two years of playing the martyr, I think it’s time she moved to college for good. And took her mean old mother with her.

But until that happens, I’ll still tune in to see what taboo topics the show plans to investigate this year. Maybe Kyle’s female counterpart Jessie will decide she really wants to be a transsexual or a cross-dresser, or both. Or Kyle’s supportive adopted parents will start a weekly “key party,” where they begin swapping more than stories with the neighbors. Whatever the major themes might become, you can bet that Kyle XY will explore them with honesty and integrity. Because that is the key to Kyle XY. The show has heart. And with heart, you can conquer anything.

But that’s just me. What do you think of Kyle XY?

Saturday, November 17, 2007

Going Bananas Over Hannah Montana

Every time I hear about the current ticket problems with Hannah Montana concerts, I can’t help thinking about David Cassidy. Why? Because when I was growing up, (Oh God! Not that again!) Mr. Cassidy caused the same kind of hysteria wherever he went, especially when he was giving concerts. Legions of devoted fans crammed themselves into concert halls or stadiums just to catch a glimpse of David in the flesh. Though during the so-called concerts, there was so much screaming, yelling and crying, that it was impossible to even hear him. And if you were in the nosebleed section of one of these venues, you probably had a hard time seeing him as well. (Luckily, there were plenty of plastic binoculars for sale to help you get up close and personal.)

I have the feeling that a similar amount of frenzy will surround much of the upcoming Hannah Montana tour. Devoted parents, who think they are giving their children a rare opportunity to see their idol in concert, will no doubt be disappointed at the actual event. Not that their children will care, as their motivation for going is probably more of a status thing rather than an actual need to hear Miley Cyrus singing LIVE. They want to be a part of history, and tell their friends, neighbors and future grandchildren that they were there when Hannah performed her bubble gum songs in places like Savannah, Atlanta or Indiana.

In psychological terms, the ability to actually snag one of these coveted tickets is equivalent to going through a right of passage. It proves that you have the resources and financial freedom to get whatever you want, and are immediately elevated to a higher status among your peers. You become a Hannah Montana Top Banana. Or even more importantly, a member of the infamous Miley-High Club.

(What the heck kind of name is Miley anyway? The first time I heard of Miley Cyrus, I thought it was some new kind of infectious disease. And now that I’ve heard all the controversy surrounding the hard-to-get concert tickets, I don’t think I was really that far off.)

So why all the frenzy over Hannah Montana tickets? Is it really that important that your child sees this concert? Will it dramatically alter her life if she doesn’t? (Or his life, if he happens to be among the male fan base, which is statistically ten percent of the population.) And why do parents feel it necessary to shell out hundreds, perhaps thousands of dollars to make sure their child isn’t left behind? Why not just shell out ten dollars and get them a nice CD or DVD? It will undoubtedly be more fulfilling, and certainly less dangerous than going to the actual concert.

And what kind of message are parents sending to their children if they allow them to idolize such a duplicitous teen, anyway? The whole premise of Hannah Montana is that the character leads a double life. Like the Clark Kent/Superman character before her, Hannah simply dons a blond wig and is immediately perceived as someone completely different. Is this the kind of role model we want our children to emulate? By taking them to a Hannah Montana concert, are we really telling them that lying about who you are is acceptable? As long as you wear synthetic flaxen extensions to do it?

The one time I actually watched a Hannah Montana episode, I got very tired. The actors were expending so much time and energy trying to maintain Hannah’s secret identity that I felt much the same way I do after eating a large Thanksgiving dinner. I suffered from Hannah Montana Tryptophan-a.

But I am not the target audience for this cross-country tour. And I seriously doubt whether the little girls (and boys) who want to go to the concert are either. The real demographic this money-making machine is after are the parents of Hannah fans. They are the ones who will shell out boatloads of money for the concert tickets, and then pay even more at the actual event to secure their offspring a treasure trove of Hannah t-shirts, buttons, glowsticks and fake hair. They are the real losers in this scenario. Because in five years when they are still paying off the second mortgage they had to take out in order to attain the popular tickets, their offspring will have moved on to something completely different. Hannah will have faded into the background, much like David Cassidy did after “The Partridge Family” ended.

And let’s not forget that David’s reign as a concert King had a very tragic ending, when one of his devoted fans was crushed to death at a London concert. That pretty much put a kibosh on any future tours. Let’s hope the Hannah Fan-ahs don’t suffer the same fate.

Tuesday, November 6, 2007

Dear Disney, Make Mine a Magical Menken Musical

When I was growing up, I loved to escape into the fantasy worlds of Disney animated features. There were Heroes and Magical Creatures, Princesses and Villains, Talking Animals and Enchanted Puppets, and lots and lots of singing and dancing.

Then there was a long stretch of time when Disney animated films seemed passé, and going to horror films and serious drama was all the rage. I began to think of Disney as kid’s stuff and didn’t care about seeing those G-rated movies any more. After all, I was in college and wouldn’t be caught dead at a kiddie film.

Then "The Little Mermaid" hit the scene in 1989, and ushered in a new era of Disney animated films, featuring the music of Alan Menken and the lyrics of Howard Ashman. Finally, after decades of tuneless toons, characters were singing and dancing once again. In fact, with the emergence of “Beauty and the Beast” a few years later, musically enhanced cutlery replaced talking animals as the Toon Du Jour. And I found myself loving these movies. They again allowed me to escape into a fantasy world that was safe and happy and musical. It was the best of times, it was the worst of times.

Then Mr. Ashman died in 1991, leaving Menken to work with other lyricists. He finished the musical elements for the movie “Aladdin” with the help of Tim Rice, and then worked with Stephen Schwartz on “Pocahontas” and “The Hunchback of Notre Dame.” My personal favorite was the technically brilliant “Hercules,” which has a wonderfully upbeat score that I find myself singing even today.

And what was really cool is that the openings of these movies became major events. “Pocahontas” premiered in Central Park, “The Lion King” premiered at Radio City Music Hall, and “Hercules” premiered at the newly renovated New Amsterdam Theater, along with a huge electrical light parade and live stage show. The Disney animated cartoon had suddenly become the trendiest ticket in town. Everybody was going to see them.

But then it all of a sudden it stopped, and the Disney cartoon suffered a backlash. People complained of formula scripts that catered to singing and technical wizardry rather than the story and characters. And, of course, computer animation suddenly became the rage, and people began looking at Disney’s 2-Dimensional offerings as archaic.

So Alan Menken went on to write other things, and Disney stopped making musicals. Other than a few songs for the easily forgotten “Home on the Range,” there hasn’t been a big Disney-Menken effort in over a decade. And that is much too long.

I guess all this rambling leads to one thing: I want another big splashy Disney animated movie with a score by Alan Menken and lots and lots of singing and dancing furniture. Or whatever the latest inanimate object to come to life might be. An iPod? A Gameboy? A Blackberry? I don’t care what it is, as long as they burst into song for the big “Be Our Guest” type number, and shoot pixels fireworks all over their keypads.

Okay, enough rambling. Anyone else out there agree with me?

Friday, October 26, 2007

Confessions of a Closeted Collector

Some call it “nesting.” Others call it an “obsession.” Still others consider it a mental disorder and give you the number of a nearby psychiatrist. Whatever it is, the process of “collecting” has always been a part of my life. Even before I was consiously aware of doing it.

As far back as I can remember, I have been assembling items in groups. Comic books, movies, Disney memorabilia. Growing up, my room was filled with a mélange of items culled from various branches of my collection. Whatever I couldn’t put out on display was carefully packaged up in boxes and hidden away in the back of my closet, never to be seen from again until my mother forced me to clean it out.

You see, my mother had a philosophy that if you put something in a drawer or a closet, and you didn’t use it for more than a year, than you no longer needed it. Personally I never subscribed to that philosophy. I liked collecting things, so I would certainly never consider throwing anything away. Everything I bought, everything I owned, everything I was ever given, all became part of my massive “collection.”

The first thing I collected was Hot Wheels. They were my first true passion. I liked the pretty colors and the interesting designs on the cars. Lightning. Fire. Sparkles. The cars themselves were secondary. It was the paint job that took my fancy.

Then came the baseball card stage. Only I didn’t really collect traditional baseball cards, but rather the baseball card spin-offs. Things like Wacky Packages and Superhero cards. Or cards from popular movies and television shows.

I was manic about collecting them too, and sometimes couldn’t sleep until I’d successfully completed the latest series. But once the sets were complete, I usually put them neatly in a box and rarely looked at them again. I never ate the gum, either. It tasted like crispy chalk.

After the baseball card derivatives, I moved up to Scholastic books. Mostly because I really liked the process of ordering and receiving the books. I sort of lost interest when it actually came to reading them.

The process worked as follows: every two months or so you’d get a little flyer at school along with your Weekly Reader. The flyer would be filled with all the new books that Scholastic had for sale. You checked off the ones you wanted, handed the form back into your teacher, and four to six weeks later a big brown box arrived in your classroom filled with the books. Sometimes I didn’t even read them; I just added them to my “collection.”

After scholastic, I had an uncomfortable run-in with the Franklin Mint, which permanently stopped me from filling out order forms. Especially for things I couldn’t afford. Those “easy monthly payments” aren’t so easy when you only have a paper route for income.

So to avoid becoming financially bankrupt at the tender age of twelve, I finally settled on collecting simple things. Inexpensive things. Like comic books and plastic toys. Posters. Records. Tapes. Magazines.

When I first started making money as a graphic designer, I splurged on a number of Disney high-end porcelain figurines. They were so colorful and life-like that I just had to have one. Then one led to two. Two led to nine, and then seventeen, and then a hundred and forty, and that’s when I finally needed a storage locker. As well as someone to consolidate my credit card debt, because all those statues had apparently maxed my collection of VISAs to their limits.

On top of that, I had no room in my apartment to display any of these magnificent pieces of art, so most of them ended up in the storage locker. Their boxes collecting dust, their beauty hidden in the dark. My mother would have had a field day in that storage unit, tossing everything that didn’t move. Including me, no doubt, if I happened to get in her way.

But now I’ve moved into a new phase of my collecting. The selling process. I’ve finally managed to weed through some of the older branches of my collections to find things I can actually part with. And you know what? It’s quite lucrative. Some of my collections from childhood are reaping big rewards. Which means I’ve finally become something I never aspired to be—a smart businessman.

But that’s just me. What about you? What do you collect?